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Ask the economics development Headhunter: Does HR really need your Social Security number? Nick Corcodilos started headhunting in Silicon Valley in 1979, and has answered over 30,000 questions from the Ask The Headhunter community over the past decade. Hsc Crime! In this special Making Sense edition of Ask The Headhunter, Nick shares insider advice and contrarian methods about winning and keeping the right job, on one condition: that you, dear Making Sense reader, send Nick your questions about your personal challenges with job hunting, interviewing, networking, resumes, job boards, or salary negotiations. Essay! No guarantees #8212; just a promise to do his best to offer useful advice. Question: I viewed an employment application yesterday and I didn’t have issues with most of what they asked for, until I got to the request for administrative assistant medical office letter, my Social Security number. What do they need that for? My thinking is that providing your SSN would only be appropriate if and essay economics when you are hired. In your opinion, when would it be acceptable to hsc crime essay provide your SSN to a potential employer?

Nick Corcodilos: Employers, like your phone company and gas company, use your SSN to development identify you in their databases because it’s a unique number. It’s the lazy vendor’s way to track customers, and and newton 1992 your the lazy HR department’s way to track job applicants. And it’s frankly irresponsible. Here’s what Pam Dixon, executive director of the World Privacy Forum, says: Never put a Social Security Number on your resume. Essay Development! You can provide it when you are invited for an interview or when the named literary essay employer obtains your permission to conduct a background check. Widespread access to your SSN puts you at risk for essay economics, identity theft. Assistant Office Cover! (So, uh… do employers ever conduct background checks before meeting you, or without your permission?

Yep. Economics! For an example, see “Big Brother #038; The Employment Industry: All your employment are belong to us!”) I know many HR workers will shake their heads and say I’m being overly cautious, and hsc crime essay that they really do need a job applicant’s SSN. So here’s my challenge to development any HR executive: Give me one good reason why an applicant’s SSN is persuasive essay necessary to proceed with a job interview. I’ve asked this question again and again, and no one has been able to answer it satisfactorily. We’ve already discussed how this “SSN protocol” has spawned unintended scams: “How employers help scammers steal your Social Security number.” If it needs a unique identifier, why doesn’t the essay development employer just ask for on energy, your credit card number? For that matter, why don’t you — the applicant — ask the HR representative for his SSN, as well, so you can do a background check on him? (Two can play this game, if one thinks he can justify it.) Yes, these are rhetorical questions — but they’re no nuttier than improper requests for your SSN.

I don’t believe any employer really needs your SSN until you are hired, when it’s necessary to economics development process and medical report your contributions to your Social Security account. If the employer needs it to essay economics conduct a background check, wouldn’t you want the employer to put some skin in the game first — for example, by actually interviewing you and indicating it’s interested in hiring you? I’d take that a step further and hsc crime essay questions ask the employer to (1) disclose exactly what kind of check it’s going to do, and (2) agree to show you everything it finds. Even credit bureaus are required to economics show you what they find. Which reminds me: You should be just as wary of requests by employers for your credit report: “Presumptuous Employers: Is this HR, or Proctology?” There’s really no stopping the assertive job applicant if we’re going to apply HR’s “logic” to employers. 1992 Dissertation! Ask the HR manager for her company’s Dunn #038; Bradstreet DUNS number so you can do a background check, too — before you invest any more of essay economics your time. Think my suggestions are a bit over the top?

Then try responding to and newton 1992 the employer with these two businesslike questions: For what reason do you need my SSN? Or, What are you going to do with it? The reality is, some software designer included a SSN field in the employer’s database, and the HR department bought the economics software without questioning the administrative assistant design and intent. Because HR relies on such software to process you, HR doesn’t know what to do if you decline to provide data the economics development software “requires.” Go figure. Suppose the software included a credit card field instead — that’s unique to you, too, right?

But no one would expect you to provide it because the employer doesn’t need it. Administrative Assistant Medical Office Letter! I feel your pain. Economics! Some employers will boot you out of the hiring process if you don’t give them your SSN (and your salary history) — just like a phone or cable company will refuse to dissertations language 1789 sell you service without it. I wish someone would file a lawsuit. (See “Never, ever disclose your salary to essay development an employer.”) When you’re stuck, blocked by a faceless job application form that asks inappropriate questions, there’s just one thing left to do: Go mano a mano . Yes, I’d call the administrative assistant medical office employer — on the phone — and explain that you’d like to apply, but that you will provide your SSN only if you are hired. Essay Development! “So, how do we proceed with my application?” Of course, HR might have a problem dealing with a human applicant, and it may have a policy against talking to applicants on questions, the phone. Hey — where did you get HR’s private phone number, anyway…? Dear Readers: Do you hand over your SSN when applying for economics development, jobs?

Is there an HR executive out there with the guts to stop asking for a streetcar named literary, job applicants’ SSNs until after HR has decided to make an offer? Nick Corcodilos invites Making Sense readers to subscribe to his free weekly Ask The Headhunter Newsletter. His in-depth #8220;how to#8221; PDF books are available on his website : #8220;How to Work With Headhunters#8230;and how to make headhunters work for you,#8221; #8220;How Can I Change Careers?#8221;, #8220;Keep Your Salary Under Wraps#8221; and essay development “Fearless Job Hunting.” Send your questions to Nick , and research papers on energy auditing join him for discussion every week here on Making Sense. Thanks for participating! 1996 - 2017 NewsHour Productions LLC.

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An Inspector Calls Summary and Analysis of Act Two. The acts continue as if no time has passed, so as the essay economics curtain rises, the rudestam and newton your Inspector is still standing at the door, having happened upon a conversation between Sheila and Gerald. Gerald attempts to have Sheila excused from any more questioning, and, when the essay development Inspector agrees that she may leave, Sheila—on hearing that there is to be more questioning—decides to stay. Gerald, in encouraging her to leave, makes the suggestion, “You’ve been through it—and now you want to see somebody else put through it.” Sheila is angry that Gerald seems not to believe in her motive for staying; this is, she says “just the wrong time not to believe me.” A gap has opened between them. The Inspector, not Gerald, is the one to put Sheila’s feeling into words; she needs to hear the whole story in order to come to terms with her part of the responsibility. “If there’s nothing else,” the Inspector concludes, “we’ll have to share our guilt.” Sheila wonders and and newton 1992 comments that she doesn’t understand about the Inspector, but he merely replies, “there’s no reason why you should.” Mrs. Birling enters, “briskly . quite out of key with the essay economics development little scene that has just passed,” and persuasive about car attempts to send Sheila to bed. Mrs.

Birling says that she cannot see how they could understand why Eva Smith committed suicide. Essay! She is urgently interrupted by Sheila just as she generalizing about a streetcar named criticism “Girls of that class.” Sheila tells her mother that she must not try to build up “a kind of wall” between the economics Birlings and criticism essay the girl, for the Inspector will only break it down. Mrs. Birling continues firmly forward, trying to establish control over the situation by being imperiously cold toward the Inspector, and reminding him that Birling “was Lord Mayor only two years ago and that he’s still a magistrate.” Sheila then reveals that Eric drinks far too much, in response to a question from the Inspector, which provokes Mrs. Birling’s surprise and reproof. Eric, Sheila explains, has been “steadily drinking too much for the last two years.” Birling enters, having tried and failed to persuade Eric to go to bed; the Inspector has told him to stay up.

When Birling objects, the Inspector cuts in, “with authority,” to economics, tell Birling that Eric “must wait his turn.” The Inspector continues to explain what happened to Eva Smith. He repeats that she changed her name to Daisy Renton. He then asks a direct question: “Mr Croft, when did you first get to know her?” To the horror of Mr. and Mrs. Birling, Gerald confesses that he met her in hsc crime essay questions, the music hall in Brumley. He had dropped in after a long day, since the bar at the music hall was “a favorite haunt of women of the essay development town.” He describes Eva as being “very pretty—soft brown hair and noah webster language 1789 big dark eyes.” She was trapped in a corner by development Alderman Joe Meggarty, “half-drunk and goggle-eyed,” and Gerald rescued her from that conversation. At the mention of Meggarty’s name, the truth starts spilling out. Mrs. Birling is persuasive car shocked to hear that Meggarty is “a notorious womanizer as well as . one of the worst sots and development rogues in Brumley.” Gerald says he took Eva out of the bar, and she told him her story—though under the essay name Daisy Renton. She never mentioned the name “Eva Smith.” He bought her some dinner, since she was hungry and had no money to buy herself food.

He also gave her the keys to some rooms he was keeping an eye on for a friend, and he gave her some money. “I want you to development, understand I didn’t install her there so that I could make love to her,” Gerald explains, though “Daisy Renton” indeed did become his mistress. Mr. and Mrs. Birling interject, trying again to stop the Inspector’s questioning. Sheila asks Gerald directly whether he was in love with “Daisy.” He replies that “it’s hard to say,” but that she cared more for him than he did for her. It was Gerald himself who broke the affair off, early in September. The girl took it very well, he thought, and she did not blame him at all. Desire! He gave her enough money to see her through until the end of the year, as a parting gift. The Inspector continues the story, revealing that Eva then went away to “some seaside place” for economics development about two months, to reflect on what had happened between her and Gerald. She chose to “remember ‘just to research papers auditing, make it last longer.’” Gerald asks to leave and go for a walk, and he promises he will come back.

The Inspector allows this, but, as he leaves, Sheila gives him back the engagement ring she had been given in economics development, Act One. Sheila tells Gerald she does not dislike him, and administrative medical office letter she is relieved in a strange way to know the truth about what happened last summer. Essay Economics Development! However, she tells him, “this has made a difference . We’d have to start all over again.” Gerald leaves, and Sheila remarks to the Inspector that he did not show Gerald the photograph of the dead girl. He replies that it was not necessary. Mrs. Birling then asks to see the photograph, and she claims not to webster on the language 1789, recognize the girl. The Inspector tells Mrs. Birling that she is not telling the truth, which prompts Birling to angrily insist on economics an apology—he is a public man, he says. Webster English Language! “Public men,” replies the Inspector, “have responsibilities as well as privileges.” The door slams, and Birling leaves to find out if Eric has just gone out. The Inspector continues to interrogate Mrs. Birling.

She, he says, is a prominent member of the Brumley Women’s Charity Organization, to which, it seems, Eva Smith turned for help only economics development two weeks ago. The girl assumed the name “Mrs. Birling” at the meeting, to which Sybil Birling took immediate offense. Essay Car! The girl, who (the Inspector reveals) was pregnant, was desperate and asking the essay charity for help. Mrs. Hsc Crime! Birling used her influence over the committee, however, to have her appeal denied. “She came to you for help,” the Inspector continues, “at a time when no woman could have needed it more . Development! alone, friendless, almost penniless, desperate. She needed not only money, but advice, sympathy, friendliness . And you slammed the door in her face.” Mrs.

Birling remains imperiously unmoved by research papers on energy the Inspector. “I’ll tell you what I told her,” she says. “Go and look for the father of the child. It’s his responsibility.” Tension builds as the Inspector continues to development, press, with increasing sternness, for information, and Mrs. Birling tries her best not to give it. Eva did not want to take more money from the father of her child, Mrs. Birling reveals, since Eva thought the hsc crime essay questions money was stolen.

Mrs. Birling then firmly restates that the essay development father of the child must be held responsible for the girl’s death, and she tells the Inspector to do his duty. “Don’t worry, Mrs. Birling. I shall do my duty,” the Inspector replies, and looks at his watch. It gradually dawns on the family—Sheila, naturally, figures it out before her parents do—that Eric Birling was the father of the child. Medical Office Cover! Mrs. Birling, unwittingly, has just pronounced a harsh sentence against her own son. The Inspector raises a hand to silence the clamor as Eric enters, “looking extremely pale and distressed,” and essay as the curtain falls. The development of Sheila, one of the central characters of the car second act, is very important to essay, the play. She starts, in desire criticism essay, Act One, as “a pretty girl in her early twenties, very pleased with life and rather excited,” and her excited reaction to Gerald’s engagement ring suggests she is comfortably settled in essay development, the economic and cultural traditions of her father. At the start of the play, she was suspicious of Gerald’s absence last summer, but showed no desire to investigate it further.

Yet, by noah dissertations english the end of the first act, she was openly mocking Gerald’s desire to keep his involvement in Eva’s life from the Inspector. Economics! We were prepared to see how her relationship with her fiance was about to break down. Throughout the play, Sheila realizes faster than anyone else that it is better if the Inspector is directly told the truth. When she, much to her mother’s chagrin, reveals to the Inspector openly that Eric has been drinking heavily for two years, Priestley is hsc crime essay questions showing us a girl becoming aware that integrity demands that she be honest and essay development truthful. One owns up to one’s faults and takes responsibility.

Sheila clearly has begun to change. She is 1992 dissertation owning up to her responsibility for Eva’s death, maturing as she does so. Notably, she stands in stark contrast to her mother, who refuses to change at all and (so far) refuses to drop her mask of icy, upper-class politeness. Priestley is interested in the well-worn idea that the young have the capacity to change, accept new ideas and development move forwards while their parents and hsc crime essay questions the older generations often fail to do so. Shortly before his exit, we see that Sheila similarly has the maturity to, without tears, accept that things are now different between her and Gerald, even unemotionally offering the symbolic gesture of the return of his ring. Essay! Maturely, she accepts her part of the responsibility for Eva’s death, noting that it is better that “at least [Gerald has] been honest.” Moreover, as she points out to him, “this has made a difference,” and the engagement will not be able to continue without serious reconsideration. The moment when Sheila returns Gerald’s ring perhaps symbolizes the distance the play itself has come: its comfortable “engagement party” opening has been entirely turned on its head.

In addition, the man who was assumed (by Birling) to be just a local, Brumley police inspector has turned out to be something quite different. Sheila has been the first to realize the strangeness of the Inspector. “I don’t understand about you,” she says to him, while Priestley’s double adverbs (in his stage direction) to direct the actor are “wonderingly and dubiously.” It is Sheila who first suggests, later in webster on the english 1789, the play, that the essay economics Inspector might not have been an Inspector, and here she is already beginning to suspect that there is something unusual about him. Sheila, moreover, is aware of the fact that the Inspector is now going to noah 1789, control events until he leaves, regardless of what either of her parents tries to essay economics, do to hsc crime questions, oppose him. The Inspector himself is a fascinating character. Essay Economics Development! As the title character, in many ways he is the most important character to any interpretation of the play.

Priestley describes the Inspector on his first entrance as creating “at once an impression of massiveness, solidity and purposefulness.” He is in his fifties and has “a disconcerting habit of looking hard at the person he addresses before actually speaking.” The Inspector elliptically comments that he does not “see much of” the Chief Constable in research on energy auditing, Act One, which is unsurprising, given that he is essay not (as we find out in Act Three) actually a police officer. One of the key questions of the a streetcar named desire criticism play is the precise nature of the Inspector’s identity. It is possible, of course, that the Inspector is perfectly human and unremarkable, as Birling says: a clever hoaxer, making the most of some information from the girl’s diary. Essay! Yet, this would not explain the on energy arrival of the police inspector at the end of the essay play! Moreover, the Inspector himself seems to run out of time as the play goes on, increasingly pressing the person he’s questioning to hurry up (note, particularly, that Eric’s interrogation is the shortest and the last). Rudestam And Newton 1992 Dissertation! Critics arguing for economics development the supernatural power of the Inspector tend to focus on his name. “Goole,” of course, spelled another way, becomes “ghoul”: a haunting spirit closely associated with corpses and persuasive about car the dead. Is the Inspector some kind of ghostly incarnation of essay Eva Smith, determined to hsc crime questions, return to her killers to make them realize the development error of their ways? Can the Inspector really be said to research papers, be a ghost who knows the future?

At this point in the play, the Inspector’s role is hugely ambiguous, yet his power over the family is growing. He silences Birling on more than one occasion and development even manages to break the composure of Mrs. Birling by persuasive essay about car allowing her to trap her own son. He seems to have known already that Gerald, Eric, and Mrs. Birling were also involved. Economics! Some critics have argued that “Goole” is in fact a reference to a fishing village not far from Priestley’s native Bradford and that the Inspector is simply to be read as “fishing” for information and hooking in the Birlings.

Whether a ghoul or simply Goole, the Inspector, by the end of the a streetcar desire second act, has become a compellingly authoritative figure. Priestley’s socialist message—that everyone must look out for each other—is extended further in economics development, the Inspector’s damning comment that the public people “have responsibilities as well as privileges.” Though the three younger characters, Gerald, Eric and hsc crime essay Sheila, all are partly to blame in development, Eva’s death, it is with the two elder Birlings that the main point of blame rests. Birling, as a public man, had a responsibility to do the right thing, and persuasive about car (particularly as an ex-Lord Mayor) should have been aware of the plight of girls like Eva. Mrs. Birling, as the Inspector points out, even managed to avoid giving help and support to Eva while sitting as the chairperson of a committee expressly designed for that purpose. It is not simply a personal misdemeanor, but a public, professional one: both of them symbolize the usual indifference of social organizations toward people in economics, Eva’s position. Persuasive Essay About! How To Cite in MLA Format. Study Guide Navigation About An Inspector Calls An Inspector Calls Summary Character List Glossary Themes Quotes and Analysis Summary And Analysis Act One Act Two Act Three Other The Play#39;s Unique Place in Drama A Stage History of the Play Related Links Essay Questions Quizzes - Test Yourself! Quiz 1 Quiz 2 Quiz 3 Quiz 4 Quiz 5 Citations Related Content Study Guide Essays Q A Lesson Plan Mini-Store J. B. Economics Development! Priestley Biography.

An Inspector Calls Questions and Answers. The Question and Answer section for An Inspector Calls is a great resource to ask questions, find answers, and cover letter discuss the novel. I don't have many quotes for development this but I will try my best. So the most obvious way of proving that the inspector is some kind of supernatural force is that goole is a homophone for ghoul. Another reason for the inspector being a suoernatural.

Sybil Birling is and newton 1992 surviving presented as both a cold and essay condescending woman. In essence, she is presented as a class conscious, snob.

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Economics Essays: Importance of Economic Growth

essay on hybridity This article presents a critique of the notion of hybridity which has, in economics development, recent years, become increasingly popular within genre studies and has been applied chiefly, though not exclusively, to generic experimentation in contemporary literature. Research. In this article I seek to show that the main reasons for this are that the essay economics, concept conveniently fits the semantics of the field of on energy genre studies which has largely been structured by genetic analogies, and because its use within postcolonial studies to describe the allegedly subversive potential of ‘mixing’ has inspired many critics to apply the notion of ‘hybridity’ to literature which combines different genres in their fictional critique of hegemonic discourses. Against this trend, I argue that the concept necessarily produces insufficient results and should be substituted for a more prolific alternative – generic blending. David Duff defines generic hybridization as “[t]he process by which two or more genres combine to form a new genre or subgenre; or by which elements of two or more genres are combined in a single work” (“Key Concepts” xiv). At first glance, this explanation is development both plausible and illuminating. Intuitively, the term ‘hybridization’ appears to capture quite neatly the forms of overt experimentation with genre conventions often considered characteristic of a streetcar literary essay contemporary literature (Hassan 170) and other art forms. There is frequent talk of the ‘blurring’ or even ‘dissolution’ of genre boundaries (Hutcheon 9; Duff, “Introduction” 16). According to Ian Gregson, the allegedly ‘postmodern’ form of magic realism presents an example of a hybrid genre, because it “collides fairy tale with the realist strategies of the traditional European novel” (Gregson 75). Ansgar Nunning, on the other hand, speaks of a “proliferation of hybrid genres […]” ( Mapping the Field 282) which integrate factual material into fictional narratives, such as “the ‘New Journalism’ and the ‘nonfiction novels,’ ‘historiographic metafiction,’ ‘documentary fiction,’ a revisionist type of ‘postmodernist historical novel,’ ‘uchronian fantasy,’ ‘parahistorical novels,’ and ‘factifiction’” (ibid.). In medical terms, ‘hybridity’ has become such a common and essay economics development, accepted diagnosis with regard to contemporary literature that a closer examination of individual ‘patients’ more often than not only seeks to identify textual ‘symptoms’ but do not questioning the value and validity of the ‘condition’ itself.

Despite its popularity and ubiquity, however, ‘hybridity’ is ultimately both inadequate for a fruitful interpretation of innovative uses of generic forms, and misleading as to the functions and persuasive about, effects of essay genre, for three reasons: 1) it harks back to a highly problematic discursive tradition; 2) the essay, conjunctional and homogenizing logic underlying the concept is inherently flawed; and 3) it continues to economics development, describe genre in terms of text-intrinsic features rather than with regard to the cognitive processes involved in, and effects produced by, different forms of genre usage. At first sight, the dissertations english, discussion surrounding the economics, validity of ‘hybridity’ to describe genres may appear as theoretical nitpicking. However, I contend that the fixation on this conception not only detracts critics from the many different facets of generic experimentation in your dissertation, contemporary literature, but is development also misleading in terms of the true political potential of installing and subverting specific genre conventions. What is at stake in this debate is therefore nothing less than an adequate understanding of the significance of genre (not only) in on the language, contemporary literature. The proliferation of the notion of hybridity within genre studies is, first and foremost, a token of the lingering influence of a biological conception of literary genres.

That genres present cultural constructs rather than organic entities in Ferdinand Brunetiere’s sense[1] is essay economics development universally acknowledged nowadays and, as a result, the biological species paradigm is rarely drawn on noah webster on the english language 1789 explicitly within genre criticism today.[2] Nevertheless, its semantics – the notion of the individual text ‘belonging’ to development, a specific class, the idea of a uni-directional development, or ‘evolution’ of that class, the concept of ‘kinship’ between certain texts and classes of texts – has become so naturalized that it still continues to administrative office, structure our thinking about genres. This becomes manifest, for example, in the recent popularity of the notion of ‘family resemblance’ in genre studies. With regard to genre, the analogy is used to describe the way in which texts grouped together under a generic label relate to one another, each genre presenting a ‘family’ and the texts associated with the same as the ‘family members.’ Its popularity can in parts be attributed to essay economics development, the appealing openness of this concept (Fishelov, Metaphors 54), as its fuzziness at first glance seems to provide a felicitous analogy to the relationship between different texts subsumed under a genre. However, the adoption of this metaphor from the field of language philosophy to that of genre theory can partly be attributed to another, often overlooked, factor: the family presents another schema that is nowadays conceived mostly in terms of genetics; it shares many semantic features with the biological species analogy and 1992 surviving your dissertation, therefore lends itself easily to an application to literary genres. Genetic conceptions of genre always face the problem that in literature there is no underlying code that can be analyzed with the help of scientific methods. Biological relations are unequivocal (the underlying source for all phenotypic resemblance within a family is genetic makeup), whereas genre membership is not. The concept of essay ‘hybridity’ deriving from genetics, its application to literary genres is riddled with such inconsistencies. Despite the prevalent view that the notion can serve to persuasive essay car, undermine or even explode traditional categories and taxonomies, it remains inextricably caught up in their essentialist logic, as becomes clear if we consider the application of the term in biology. Economics. According to Amar Acheraiou, Charles Darwin was the first to use the term in its modern sense in his experiments with cross-fertilization in plants: “The concept of ‘hybridity’ then had a purely biological dimension and rudestam, suggested fixed essence” (88). Essay. The underlying genetic logic implies maybe not classificatory unequivocality (after all, borderline cases and mutations are part and parcel of the evolutionary paradigm), but certainly unequivocality of development and principal exclusivity of the categories: the liger may be impossible to categorize as either lion or tiger, but this does not render the distinction between the two species problematic or obsolete. Because its parentage (and therefore its genetic makeup) is quite clear, it can be integrated into the existing taxonomical system, allocating it a place between the noah dissertations 1789, two parental species.

Far from problematizing the integrity of the classification system, hybrids can serve to measure the genetic distance between, and compatibility of, two species and thus ultimately illustrate the essay development, principles of common descent and progressive diversification that underlie the notion of evolution. Webster Dissertations On The Language 1789. Distinctness thus presents a necessary prerequisite for hybridization. Ideas of distinctness and economics, compatibility consequently also structure conceptions of literary hybridity. Thus, both Christin Galster (15) and hsc crime essay questions, Klaudia Seibel (137) stress the distinctness and heterogeneity of the literary classes as a precondition for the formation of hybrids at economics development the outset of their studies on literary hybrids. According to administrative assistant office cover letter, Julia Ernst’s definition, the term ‘hybrid genres’ denotes literary forms that unite characteristics of different genres and can therefore not only not be adequately described with the genre designations used in the Western poetic tradition, but also explode conventional genre typologies (267). However, unlike biological species, which are classified on the principle of descent, generic attribution occurs on the basis of vastly disparate and essay development, incommensurable criteria: “[g]enres can be defined socially, historically, functionally, authorially, politically, stylistically, arbitrarily, idiosyncratically, or by a combination of any of these” (Stockwell 28). And Newton Surviving Dissertation. Generic equivocality is development a logical consequence of the unsystematicity of generic labeling. Essay Questions. With regard to the notion of hybridity, this disparateness of criteria presents significant conceptual difficulties, because it means that generic categories are by no means mutually exclusive or distinct. While the genre designation ‘short story’ is understood mainly in terms of certain formal and narrative conventions (e.g. Essay. length, focalization, abrupt beginning and ‘open ending’), ‘ghost story’ refers to a specific theme, usually complemented by a high level of 1992 surviving dissertation indeterminacy (e.g. Essay. unreliable narration, discrepancy of awareness between reader and narrator, rising tension).

Evidently, there is no clear boundary between these two genres that can blur or be violated. As none of the key characteristics that play a role in the attribution of a text to the genres ‘short story’ and ‘ghost story’ are in direct opposition to essay, one another, it is not hard to imagine a text that fits into our conception of essay economics development both genres. Saying that such a combination constitutes a hybrid is like saying that a motorbike is rudestam and newton 1992 your a hybrid because it combines the notion of ‘bike’ with that of a motorized vehicle, or that a house cat is a hybrid because it can be classified both as a predator and as a pet. Due to this incommensurability of development criteria texts can always be attributed to more than one genre, according to which features are foregrounded: “how texts are grouped depends on administrative assistant medical letter which features the classifier has selected to observe – common prosody, organization, tone, aim, or effect on the reader, for example” (Devitt 7). Thus, Robinson Crusoe can variously be labelled as a) an essay, ‘Erziehungsroman’, as it portrays the and newton 1992 surviving your dissertation, development of a young man rebelling against social and familial constraints into essay economics the epitome of a self-made man; b) a ‘utopia’, if one comprehends the work first and foremost in noah dissertations on the english 1789, terms of social critique and Robinson’s insular society as a Puritan alternative to England; c) a ‘picaresque’, if one focuses on the “strange surprising adventures” promised in the title and essay development, the protagonist’s cunning; d) as a ‘myth’, if one considers the work in terms of its socio-historical significance, as the exemplification of “characteristic aspirations of Western man” (Watt 95); e) as the prototypical ‘robinsonade’ (Broich 58), for which setting, character constellation and the motif of the struggle against hsc crime essay, nature are central; f) or simply as a novel. Essay. Does the circumstance that the text uses characteristics of various genres make Robinson Crusoe a generic hybrid?

I argue that it does not, but Galster indeed believes that hybridity and named desire literary essay, hybridization can be found within all historical eras and genres (16) and consequently analyzes novels from essay, Defoe to Wilkie Collins as examples for hybrid novels. This already indicates the limited heuristic value of the concept of hybridity – which texts, then, do not fall under the category ‘hybrid’? Here, Seibel proposes an interesting solution by drawing on Marie-Laure Ryan’s taxonomy of generic worlds (Ryan 34), which distinguishes genres in essay questions, terms of specific accessibility relations. Economics. Ryan defines (often obscure) genres such as ‘historical fabulation’, ‘science fiction’ and ‘Jabberwockism’ by delineating which dimensions of that genre correspond to ‘the actual world’ (e.g. natural laws and administrative assistant, shared language). Seibel suggests that a text that combines two genres which are, according to Ryan’s table, incompatible with regard to one or more dimensions of accessibility present strong instances of generic “contamination” (Seibel 142). However, Ryan’s positivistic conception of reality not only disregards forms of ontological and economics development, epistemological doubt, as well as the existence of many alternative reality designs, but the binary system underlying her classification also reveals a static and persuasive about, normative understanding of genre and implies that the essay economics development, non-compliance with generic standards is persuasive about tantamount to generic exclusion. Mutual exclusivity of the categories and uniformity of essay economics development criteria present the logical premises for research papers diagnosing biological hybridity. Because texts can be described with the economics development, help of various generic labels, there is not a single text that can only be understood as representing a single genre. The absence of consistent criteria for classifying genres means that no two genres are entirely incompatible.

This leads to a surprising diagnosis: due to the unsystematic nature of genre attribution, different genres can logically be combined much more freely than is generally acknowledged within genre theory. The ease with which we can mix elements from different genres has so far been overlooked or ignored because it threatens to undermine the dominant conception of genre as something located inside the text that renders a text an instance of that genre. This container model of genre needs overhauling and webster dissertations on the, we will return to it later. For now, we can say that the answer to the question “‘Why Can We Have Romantic Realism and not Doggy Cats?’” (Harshav qtd. in Fishelov, Metaphors 20) is the absence of an underlying systematicity and not, as Fishelov declares, that “hybridization in literature is […] more common than hybridization in nature […]” ( Metaphors 20). The Political Dimension of ‘Hybridity’ As we have seen, the concept of generic hybridity perforce relies on an essentialist genre conception, as it depends on the ascription of a fundamental, even ‘natural’, difference between two genres and thus neglects both the diversity and essay development, adaptability of genre usage. Without such a static normative model it would be impossible to ascribe the status of ‘hybrid’ to an individual text or genre. The allegation of essentialism may appear surprising if we consider the proliferous application of the concept of hybridity in postcolonial studies, which are directed explicitly against essentialist conceptions of culture. As the term’s ubiquity within genre criticism is a streetcar desire literary essay intricately connected to its career within the postcolonial discourse, it is necessary to digress a little and economics development, consider its uses and on energy auditing, connotations with regard to colonial power structures.

Heterogeneity presenting a precondition for essay economics hybridization, the application of the label ‘hybrid’ to the offspring of “[…] human parents of on the english 1789 different races, halfbreed […]” (“Hybrid”) played a significant role in discursively establishing a fundamental difference between colonizer and colonized. From 1980 onwards, the term has, as Monika Fludernik explains, been appropriated and essay development, revaluated in the context of the postcolonialism debate (10), most famously by Homi K. Bhabha, who proposes to employ it to dislodge authority and domination: Hybridity is a problematic of colonial representation and individuation that reverses the effects of the colonialist disavowal, so that other ‘denied’ knowledges enter upon the dominant discourse and estrange the basis of authority – its rules of recognition […]. Hybridity reverses the formal process of disavowal so that the hsc crime, violent dislocation of the act of colonization becomes the conditionality of colonial discourse [author’s emphases]. (114) Thus, Fludernik observes, “[h]ybridity revalues, that is to say: reconstitutes, colonial identity through deformation and essay, displacement and by means of strategies of subversion. The reversal occurs by means of the inversion of the gaze – from the colonizer on the knowable colonial subject and back to hsc crime essay questions, the colonizer” (27) – as an “act of civil disobedience” (31). Fludernik thus describes a shift in the use of the term from a tool used for the oppression of colonized subjects to one of emancipation for same subjects, which implies the inversion of the values ascribed to each side of the binary.

It is, however, difficult to assess in how far the term has within the postcolonial discourse become progressively dissociated from the biological paradigm from which it derives: The term hybridity, from its moorings in economics development, sexual cross-fertilization, racial intermixture and intermarriage, has now drifted free to connote (rather than denote) a variety of interstitial and antagonistic set-ups which are clearly linked to a ‘subaltern’ (Gramsci, Spivak) perspective and administrative office letter, a positive revaluation of hybridity. Hybridity comes to development, function as a key concept of cultural diversity in hsc crime, which racial ‘impurity’ has been reinscribed as a subversive multiplicity and as progressive (but not unidirectional) agency. (Fludernik 21) The question is in how far this shift includes a change in the way we conceive of hybridity itself and in how far the essay development, term continues to transport some of the implications that served to legitimize hegemonic thought. Questions. Fludernik’s explanation proves quite illuminating in this respect. Her mention of ‘agency’ (a notion that is entirely alien to biological conceptions of hybridity) indicates the first, as does as her emphasis on the verb ‘connote’ which implies a certain cognitive detachment from the term’s origin. Indeed, the term is more and essay development, more often used as largely synonymous to ‘pluralism’ or ‘multiplicity,’ inviting charges of “theoretical vagueness and ‘elasticity’ of the concept itself” (Acheraiou 102). At the same time, somewhat paradoxically, the very notion of ‘interstice’, the essay car, space between, shows the concept’s continued reliance on a binary, essentialist model, as the two poles are still understood as oppositional in nature (not only in structure). In other words: the concept of economics development ‘hybridity’ is thinkable only in named desire literary essay, connection with its opposite – that of ‘purity’ – which is located at both poles. Fludernik argues that the formerly negative notion of impurity has come to development, be viewed as positive. This revaluation, however, can hardly be said to present a “transcendence of about car binary oppositions” (Fludernik 11); instead it is an inverse repetition of a logic that continues to foreground the heterogeneity of colonized and colonizing subject and thus fails to grasp the complexity of both relations of power and essay economics, processes of and newton 1992 surviving identity formation.

Moreover, I argue that ‘hybridity’ presents an altogether different schema to that of multiplicity: the first is based on the logic of amalgamation, of fusion at some elementary (or essential) level, while the latter describes one of economics development concurrence. A hybrid thus combines two heterogeneous things A and B to form a third, C, which presents an amalgam of its ‘parents’, while multiplicity describes the persuasive about, juxtaposition of elements from A and B, which then coexist alongside one another. Two popular metaphors for cultural diversity can serve to illustrate the difference: the melting pot presents a metaphor for hybridity, while the salad bowl is a metaphor for pluralism. Conceiving of essay economics development personal and cultural identity in terms of hybridity leads to the reduction of a person or culture to one specific dimension, that of a particular interstice, thus overlooking the diversity and complexity of individual and cultural identity. To refer to former colonies as ‘hybrid’ not only on energy auditing perpetuates the false implication that these societies were quite homogenous prior to the interference of the colonizers, but simultaneously implies that the culture of the colonizers does not have the same status. After all, what sense would it make to speak of ‘hybridization’ if all cultures were always already hybrid?

If we posit cultural hybridity as a given, would the whole hybridity discourse not become vacuous? Discursively, Julika Griem concludes, the effectiveness of hybridity as a subversive category depends on the supposition of the existence of essay stable identities, nations, cultures and ethnicities, which present its antithesis (220-1). Hence, the notion of hybridity relies precisely on that which it seeks to undermine, because drawing on an essentialist and on energy auditing, binary schema necessarily results in essay economics development, the perpetuation of its very logic. What is more, the concept reiterates the colonizer’s overemphasis on the significance of categories such as cultural heritage, ethnicity and nationality, which present but some of many dimensions that contribute to research papers, the formation of an individual’s identity. I contend that these are not fundamentally different from other socially defined roles individuals perform on a daily basis, from that of parent to economics, that of employee to persuasive essay about, that of sexual partner, neighbor or consumer. In other words: identities, postcolonial or otherwise, are better described as multiple than as hybrid. Cultures and identities are neither static nor natural; they present constructed worlds and as such they are subject to permanent revision. In how far is all this relevant to our discussion of hybrid genres?

Firstly, the essay, popularity of the notion of webster on the language 1789 hybrid genres with regard to contemporary literature is clearly inspired by development, the concept’s success within postcolonial studies. It is quite evident that the and newton, same issues surrounding questions of identity, knowledge and economics, power that lie at the heart of much contemporary theory (from poststructuralist to postcolonial and gender theoretical approaches) also inspire the a streetcar, literary production in general and essay economics development, uses of genre conventions in particular. Assistant Medical Office Cover. The term ‘hybridity’ in its revised sense has by many been considered a viable strategy for the subversion of economics binary hegemonic discourses. In fact, “[i]n postcolonial debates the presumed resistive impulse of hybridity is often reiterated with force and rudestam your, zeal, verging on conceptual dogmatism” (Acheraiou 95). Translated to the realm of literary production, this assumption ascribes to works that overtly mix genres a veritably subversive dimension: generic experimentation is considered to exemplify the strategy of essay development hybridity on the level of cultural forms. It is evident that many contemporary texts employ generic experimentation to express their critique of hegemonic discourses, but the mechanisms and persuasive, effects of generic experimentation are much more complex and diverse than the development, notion of hybridity can possibly capture. Reconceptualizing Genres as Schematized World-Constructions. The first and most important step to a reconceptualization of genre ‘mixing’ consists in the rejection of what Amy J. Devitt calls “a formal view of genre” (5), which departs from a container model of meaning, in which genre presents the form into which content is put. This conception of and newton 1992 surviving your dissertation genre is not only static and normalizing, it also focuses on the finished product rather than on processes of meaning-production.

Rather than conceiving genres as a set of formal features, genres should be understood as cognitive schemata (Hallet 53-71; Frow 83-7). David Rumelhart defines schemata as “[…] certain forms of rules of essay ‘productive imagination’ through which the understanding is able to apply its ‘categories’ to the manifold of sense-perception in hsc crime questions, the process of realizing knowledge or experience” (2). Learning thus takes the shape of pattern-acquisition, in other words: we learn to understand and experience objects, activities, ideas, situations, etc., in terms of typical spatial and functional relationships associated with them. We can then recognise either part or whole of that concept and essay economics development, through the a streetcar named desire literary criticism, activation of the respective schema, infer information on the nature of the object, activity, idea, situation, etc., that is unavailable to our sense perception: Once we have accepted a configuration of schemata, the essay, schemata themselves provide a richness which goes far beyond our observations. Upon deciding that we have seen an automobile, we assume that it has an rudestam surviving, engine, headlights, and essay, all of the criticism essay, standard characteristics of an automobile. We do this without the economics development, slightest hesitation. […] This allows our interpretations to far outstrip our sensory observations. In fact, once we have determined that a particular schema accounts for some event we may not be able to determine which aspects of our beliefs are based on direct sensory information and which are merely consequences of rudestam surviving your dissertation our interpretation. (Rumelhart 10) As they present the essay economics development, smallest units into persuasive about car which our knowledge is packaged, Rumelhart describes schemata as “the building blocks of cognition” (2). Genres present particularly complex schemata, or better: complexes of schemata. They form, through association, sets or clusters of typical features I refer to as ‘construction kits’ from which the writer can draw in his/her textual production, and which, in turn, shape the reader’s expectations towards a text.

Thus, genres, as John Frow observes, project specific worlds (73), or, more precisely, genres provide the parameters for constructing worlds[3]: Examples of such generically projected worlds would be: the world of the tabloid press, populated by celebrities, criminals, victims, nude models, and scenarios centred on scandal, crime, and sport. Its moral tone tends to be at essay once moralistic and salacious, and its time is that of a static continuum punctured by arbitrary events; the world of the picaresque novel, a world of sharp-witted servants and dull masters, of confidence tricks, of hunger and the constant threat of poverty, of the road and the unforeseen adventure, of upward and downward mobility, of a time which is at once episodic and recurrent; the world of the Petrarchan sonnet, where lovers are constant and fair mistresses are not, where suffering or bliss are the a streetcar named desire criticism, poles between which love moves, where eyes shoot beams to twine souls together, and where time is that of biological decay and its transcendence in love or in writing […]. (Frow 86) These different worlds are evoked by the text through specific markers (Seibel 138). From the moment we pick up or purchase a book and throughout the entire process of reading, we come across numerous generic indicators in different shapes: the designation on essay the cover, as well as the cover design and research auditing, the title of the book or text, furthermore characteristic phrases, such as “once upon a time”, and typical motifs such as space and time travel in the case of science fiction or the shipwreck motif in the case of the robinsonade. We recognize these indicators which in essay economics development, turn activate our schematized knowledge and result in a tentative attribution to a specific genre (Hallet 59). Essay Questions. This attribution then largely determines the reader’s expectations. We approach any text (as well as films, plays, paintings, music etc.) with a variety (which is, of course, determined by our socio-cultural context) of development schematised world-constructs at hand, trying to find a suitable match – a process which is mostly unconscious. Thus, when we read the word ‘cowboy’, we draw on our generic knowledge of the noah webster dissertations english language, western and economics development, consequently visualize a characteristic setting in the Old American West, a setting which includes such things as saloons, ranches, stagecoaches, sheriffs, bandits, roulette, cancan, show downs and tumbleweed, to name but a few.

Conversely, entities such as princesses, dragons and aliens do not belong to noah webster on the 1789, the genre’s general repertoire and their appearance would present a striking deviation from the reader’s expectations. It is normally such surprising combinations that are described in terms of hybridity, while the economics development, less glaring combinations go largely unnoticed, as Seibel observes (137). The notion that genres evoke schematized worlds is crucial to understanding the political dimension of about genre usage, because these worlds transcend the text. Firstly, they can in various senses become institutionalized, for example in the form of specialized events, publications and marketing practices, creating specific genre communities on the basis of shared ideas, tastes and interests. Secondly, their structures and conventions respond to specific socio-historical conditions and concerns.

In other words: the constitution of these worlds reflects and/or proposes specific world-views; changes within society consequently also affect these cultural practices and essay development, vice versa. Thus, while ‘hybridity’ describes a textual quality, a cognitive approach conceives of genres as expectations that guide literary production and webster dissertations language 1789, reception . Essay Economics. In order to webster dissertations on the english language, capture this communicative dimension of genre ‘mixing’, I propose to borrow another concept from cognitive literary theory that provides a productive alternative to hybridity: conceptual blending. Conceptual Blending as an Alternative Concept for Genre ‘Mixing’ Unlike ‘hybridity,’ ‘blending’ does not describe the essay, status of a cultural artefact, but a cognitive process – a text, genre or culture is or is not hybrid, while ‘blending’ refers to something one does . Desire Literary Criticism Essay. Gilles Fauconnier and Mark Turner describe blending as the partial projection of essay structural elements and rudestam and newton 1992 your, schemata from one mental space onto another. Mental spaces are dynamic conceptual structures which we construct for specific purposes and according to specific situations (Fauconnier and Turner 40) and the schematized worlds we associate with particular genres present such mental spaces. Although Fauconnier and Turner’s concept clearly suggests itself for an application to literary genres, its potential has so far gone largely unnoticed within genre studies, with the economics, notable exception of dissertations language Michael Sinding, who, to my knowledge is the first and only genre critic to employ ‘blending’ to genre mixtures. Processes of blending are ubiquitous within all areas of language use; they are involved not only in the creation of development parables, metaphors and other tropes, but wherever schemata from named desire literary essay, a specific realm are transferred to other realms. Thus, for example, the saying “‘[w]hen the cat’s away, the mice will play’ can be projected onto stories of the office, the classroom, infidelity, congressional oversight committees, computer antivirus utilities, and so on, over an unlimited range” (Turner 87). Most blending remains covert and unobtrusive; we only become aware of the blended character of essay a construction when we come across surprising twists, logical inconsistencies or structural clashes, thus prompting the ‘hybridity diagnosis’. Although the concept’s application to genres is, as I have shown, inherently flawed, when and how it is used is nevertheless significant because this provides an persuasive car, important clue as to the ways in which the quality of genre ‘mixing’ in contemporary literature may differ from combinations of genre schemata in other periods: processes of blending are increasingly foregrounded through the economics development, deliberate disappointment of, or confrontation between, generic expectations. Blending involves the following dimensions (Fauconnier and Turner 41-2): Input Spaces : with regard to genre ‘mixing,’ the mental input spaces are the world-constructs evoked by genre labels.

These include plot structures, typical settings and and newton 1992 your dissertation, entities, stock characters and character constellations, expectable actions and outcomes, but also such aspects as linguistic particularities, specific social hierarchies, atmospheres and moral attitudes. Cross-Space Mapping : “A partial cross-space mapping connects counterparts in essay development, the input spaces” (Fauconnier and Turner 41). Everything the input spaces have in common is contained in dissertations 1789, a so-called generic[4] space . Economics. Thus, reading a text as the and newton 1992 surviving, instance of a genre involves identifying counterparts between our construction kit of that genre and the text at hand. Cross-space mapping also enables us to blend different genres because their worlds (that is, the economics development, mental spaces we construct in relation to papers auditing, these genre labels) either share, or are compatible with regard to, certain elements and structures. The relevant aspects from the input spaces are then projected onto a fourth space, the blended space , or ‘blend.’ Through the composition of particular elements and processes of completion , the blend can develop emergent structure that is not part of the inputs (Fauconnier and Turner 42-3) but results from the interaction of the newly combined elements. This new structure can then partly be projected back onto the input spaces, as will be illustrated with the development, help of administrative office cover letter some examples. Unlike ‘hybridity,’ the concept of blending does not rely on an essentialist model, but describes cognitive constructions, and therefore does not conceive of the input spaces as stable or pure.

Consequently, any blend can provide an input space for new blends. Indeed, the application of the notion of essay economics development ‘hybridity’ from and newton surviving your, biology to colonial and postcolonial discourses to economics development, literary genres quite neatly illustrates the multiple stages involved in many processes of blending. Administrative Letter. Because genres evoke worlds with the help of complexes of schemata, genre worlds are themselves already blended spaces and can in turn serve as input spaces for worlds that combine schemata from economics development, different genres. This repeatability of persuasive car blending, presents the prerequisite for combining elements associated with different genres. Incidentally, this observation also provides a new perspective on essay economics development generic labels such as ‘gothic thriller’ or ‘romantic comedy’, which are often understood in terms of subgenres or modes in the adjectival sense.

Contrary to these ideas, I argue that the often ad hoc coinage of such labels can be better and more simply explained as illustrating a blended space, or world, which combines elements or structures associated with two different genres. Generic Blending in Scorsese’s Taxi Driver. An example will serve illustrate how the described multistage process can help us understand different forms and effects of generic ‘mixing’ – Martin Scorsese’s cult film Taxi Driver , which mixes elements associated with the psychological thriller and such associated with the a streetcar desire criticism, western genre. 26-year old ex-soldier Travis Bickle, who suffers from insomnia, witnesses on his nightly cab tours through New York scenes of violence, prostitution and drug abuse. “All the animals,” Travis contemplates, “come out at night – whores, skunk-pussies, buggers, queens, fairies, dopers, junkies… sick, venal. Someday a rain’ll come and wash all this scum off the street” (qtd. in economics, Ray 352). Disgusted by what he sees and frustrated with his failed courtship of the research papers, classy Betsy, he finally decides to take matters into his own hands. He meets the 12-year old prostitute Iris whom he decides to essay economics development, ‘save’ and kills her pimp and his henchmen in a dramatic shootout. The film thus exhibits the dark mood and research papers auditing, vivid depiction of violence, as well as the narrative perspective and pre-occupation with mental processes characteristic of many films labelled ‘psychological thriller’ and a plot structure and character constellation considered typical of the western. Before analyzing how the viewer integrates these two different genres, however, I would like to consider how another blend, namely that between the world of the economics, western and late-70s urban America, is established. The primary input spaces here are ‘New York’ and the world of the western. The cross-spatial mapping of these spaces connects the and newton surviving your dissertation, lawlessness, vice and essay economics development, corruption associated with the Wild West with the lawlessness, vice and corruption Travis sees in the streets of New York.

Once this connection is established, one can identify many more counterparts in the generic space: the dissertation, armed robbery of a convenience store resembles the essay development, bank robberies we frequently find in westerns, New York’s prostitutes present counterparts to the ‘easy girls’ in frontier towns (Iris’s nickname, incidentally, is “Easy”), Sport’s long hair and headband recall the stereotypical Indian, and, most importantly, the loner Travis in his taxi recalls the lonesome cowboy, who aimlessly roams the wilderness on his horse. These parallels or ‘mappings’ become so suggestive to Travis that he adapts his behaviour to a streetcar desire criticism, that of the cowboy: having decided to take matters into his own hands, he buys several revolvers, begins to essay development, practise his quick draw and essay about car, tapes a knife to essay economics development, his cowboy boots. It is at this point that Travis’s blend becomes overt. This illustrates how blends develop emergent structure: once Travis has recognized key similarities between the input spaces, he begins to complete the structure and essay, identifies an essay economics development, ‘adequate’ solution to the perceived problem – vigilantism. Scorsese’s film is particularly interesting, because while the protagonist is quite obviously psychopathic, it is never entirely clear whether his blend is merely the 1992, delusion of an individual who is losing his grip on reality, or if it indeed corresponds to a widely accepted world-view, as the implausible ending shows Travis being congratulated for economics development his murderous actions. Conversely, some of the insights gained within the blend can be projected back onto the input spaces: the impressions of brutality and insanity the viewer gains from Scorsese’s film can be projected back onto the western to research, reveal the economics development, violent logic underlying dominant conceptions of this genre, while the surprising ending can (depending on the viewer’s interpretation) lead one to assume the lingering influence of the world-view associated with the western within parts of the US.

The concept of blending thus also captures different dimensions of ideological critique involved in genre mixing. Although Taxi Driver effectively evokes the western genre, this does not mean that the viewer identifies the film as a western. Instead, viewers are more likely to understand Scorsese’s film as a psychological thriller. Desire Literary Essay. The reason for this is not so much that elements associated with the psychological thriller ‘outweigh’ those associated with the western, although the contemporary urban setting may, for some, disqualify the economics, film’s classification as a western. The main reason for such a view, however, is the discrepancy between the protagonist’s world-view and medical office letter, that of the development, audience.

Travis interprets his surroundings as analogous to the world of the hsc crime questions, western, whereas the development, viewer, confronted with various signs of the taxi driver’s mental decline which somewhat forestalls the essay, identification with the protagonist, tends to understand Travis’s interpretation as a delusion, a result of his pathological state of mind. This shows that genre evocation does not necessarily lead to genre attribution. That the majority of references to a specific genre do not lead to genre attribution is a circumstance that is essay economics development routinely neglected by proponents of generic hybridity, because although Taxi Driver evokes two very different genres the film can hardly be termed a ‘hybrid’ of western and thriller. By the same token, the fact that a newspaper article refers to an event as a ‘tragedy’ does not mean that we classify it as pertaining to that literary tradition. Instead, the selective projection of schemata we associate with a particular genre enables us to interpret new information with the help of familiar patterns which then also govern our (re)actions, as Taxi Driver dramatically illustrates. As readily available world-constructs genres provide effective models for questions the structuring of extra-literary realities (Hallet 60). Essay Economics Development. This presents the true political dimension of office letter generic experimentation, because a text’s failure to adhere to our generic expectations leads to the foregrounding of essay development these expectations, which renders them accessible to rational critique. Moreover, the discrepancy between generic expectations and textual actualizations may result in the adjustment of our genre schemata and therefore ultimately also to a revision of our understanding of extra-literary realities. This shall be illustrated with some cursory reflections on blends drawing on the fairy tale, one of the few genres where criticism often explicitly focuses on questions of ideology and pedagogy, or on what I call ‘the politics of genre’. The tales subsumed under the label ‘classical fairy tale’ gradually found their way into the households of the literate classes, particularly of the bourgeoisie, in hsc crime questions, the 18 th and 19 th century.

Counter to common knowledge, the familiar versions read in families and schools, such as those collected by the Brothers Grimm and Charles Perrault, exhibit significant alterations compared to development, the oral folk versions most of them are based on persuasive car (Zipes Magic Spell 2). Far from faithfully reproducing tales that were orally transmitted for generations and generations, the ‘classical’ versions were adapted for a bourgeois audiences with the purpose of promoting the economics, morals and codes of behavior of the patriarchal bourgeois society in order to prepare men and women for their respective roles therein: [T]he male hero learns to be active, competitive, handsome, industrious, cunning, acquisitive. His goal is money, power, and a woman (also associated with chattel). His jurisdiction is the open world. His happiness depends on the just use of power. The female hero learns to be passive, obedient, self-sacrificing, hard-working, patient, and straight-laced. Her goal is wealth, jewels and a man to protect her property rights. Her jurisdiction is the home or castle.

Her happiness depends on conformity to patriarchal rule. (Zipes Fairy Tales 57) I would argue that up until today most people’s conceptions of the fairy tale are shaped mainly by the literary versions by Perrault, the Brothers Grimm and Hans-Christian Andersen, which are still widely read in families, but also circulated as children’s entertainment by the mass media. This means that there is a relatively limited stock of culturally shared generic schemata, which renders the projection of fairy tale motifs and structures to other genres and world-constructs both appealing and hsc crime essay, effective. At the essay economics, same time, because many of these structures are intimately tied to an ideology that is hsc crime essay increasingly seen as problematic, they are often evoked against themselves, that is, to development, reveal and critique their ideological bias. Thus, in desire, the last thirty years or so, there have been a growing number of rewritings of fairy tales that renegotiate the fixed gender conceptions promoted by the classical versions, often by essay economics development, portraying the fairy tale ‘heroine’ as active and ingenious rather than passive and on the english language, simple-minded.

To name one of development many examples, the Snow White in Tarsem Singh’s 2012 adaptation Mirror Mirror grows into a proactive heroine who fights the vain and administrative assistant cover letter, cruel queen alongside the seven dwarves. When the queen enters the forest to kill Snow White, the latter locks up her male helpers, including the prince, in development, the dwarves’ dwelling, resolved to confront the noah dissertations english, queen on her own. She tells the economics, prince: ‘“You know, all that time locked up in research papers auditing, the castle, I did a lot of reading. You read so many stories where the prince saves the princess. I think it’s time we changed that ending!”’, at which the prince protests: ‘“But it’s been focused grouped and it works!”’. This meta-generic quip foregrounds the cognitive process and implications of the development, completion of the genre schema by rudestam and newton 1992 your dissertation, linking the essay economics development, gender roles promoted by fairy tale conventions to audience expectations and marketability. On Energy Auditing. Snow White’s fight for a different ending consequently presents an explicit critique of these preconceptions. In order to essay economics development, grasp the real political potential of genre it is paramount to understand that it is only through the familiarity with the hsc crime essay questions, generic schemata that the emancipatory message of subversive versions becomes effective in the reader’s mind, leading him/her to revise received genre conceptions, and thus renders the alterations socially relevant. Jack Zipes provides another intriguing example of a subversive blend: a television advert for a cleaning agent blends the essay economics, generic input spaces of the fairy tale and of advertising by employing the Cinderella story to illustrate the key sales argument for the product. One older sister: Cinderella, wash the floor.

Other older sister: Yeah, wash it, and then re-wax it. [Sisters leave for the ball.] Cinderella: Wash, wax, pfui. [Fairy Godmother appears.] Fairy Godmother: Phew, ammonia. Research Papers. That strips wax. But use Mr Clean with no ammonia. Mr Clean gets the dirt but leaves the wax shining and you get a shine. Fairy Godmother: And now off to the ball? Cinderella: Ball-schmall. Tonight’s my bowling league. ‘Bye. [author’s emphases] (Proctor and economics development, Gamble TV ad, qtd. in Zipes Magic Spell xxi)

This blend overtly deconstructs the expectations associated with both genres: firstly, instead of envying and emulating the haughty sisters and subscribing to rudestam 1992 surviving dissertation, the upper and upper middle-class ideal of essay sophistication by attending a formal ball, where she could show off her beauty and find her prince, this self-determined Cinderella chooses a more working-class activity where she can roll up her sleeves and show her skills as part of a team. The ad thus exposes the gender and class bias of the familiar fairy tale version. Essay Car. Secondly, the essay, emancipatory twist also presents a critique of the hsc crime essay questions, conservative image of the happy housewife often evoked in the promotion of household products by the marketing industry, because by using Cinderella as a model, this advert portrays housework not as the woman’s vocation or a familial duty, but as a chore forced upon her by others, thus subtly hinting at the coercive dimension of role allocation. Despite the economics, increase in critical engagement with the political dimension of folk and fairy tales, it remains largely unexplored how their structures shape particular extra-literary conceptions and discourses. This seems surprising considering the socializing function so often ascribed to them. Cover. While the scope of this question certainly exceeds this article, I would like to economics development, suggest that they not only continue to affect gender conceptions and received notions of beauty and romantic love, but are also blended with other popular genres. Thus, many romantic films evoke, sometimes more, sometimes less explicitly, fairy tale motifs and metaphors, not to medical, mention the ‘happy ever after’ formula. By the same token, the hierarchical structure of the fairy tale world tangibly inspires celebrity coverage in the popular press and on essay economics TV, because in the present age of communication and globalized markets, the celebrity occupies an elevated position analogous to literary essay, that of the aristocracy in the feudal world of the economics, fairy tale. Beauty, wealth and research on energy, prestige structure both world-constructs, rendering the blend as effective as it is unobtrusive. This recourse to fairy tale schemata in parts of the mass media arguably partly accounts for the persistence of the seemingly anachronistic institution of monarchy in so many Western democracies.

As in essay economics, the time of Perrault and the Grimm Brothers, the fairy tale semantics still imbues the papers on energy, royal sphere with glamour and fuels people’s hopes and aspirations of social advancement. In this light, the recent crisis of the British monarchy could, to some extent, be attributed to the failure of the projection due to an overt discrepancy between fairy tale conventions and the events surrounding the essay, marriage between Prince Charles and Diana Spencer portrayed in the popular media. This discrepancy becomes starkly apparent precisely because the projection at first seemed to a streetcar literary, fit very well indeed: although Diana is of noble descent, this is consistently downplayed or altogether neglected in essay economics development, the media’s portrayal of her as a Cinderella-figure (Gephart 157), which allows Prince Charles to become Prince Charming and select the beautiful young woman as his princess. More important than their ‘fairy tale wedding’ is the papers, circumstance that the Princess of Wales came to be seen as the embodiment of the very virtues of the heroine of the classical fairy tale tradition: young and essay economics, beautiful, her initial shyness made her seem both passive and a streetcar named desire criticism essay, obedient, while the concern she displayed for essay economics the sick and persuasive about, poor, and her commitment to essay economics, the battle against landmines, showed kindness, caring and selflessness. In other words: according to the gender conception associated with the classical fairy tale tradition, Diana Spencer rightfully deserved a happy ending with her Prince Charming. That she was denied this happy ending because the Prince had an affair with a married woman arguably undermines the belief in the validity of the projection of the administrative cover, fairy tale court, where the adherence to the bourgeois moral code is rewarded, onto the British monarchy. The fairy tale happy ending can arguably be considered to represent something of a ‘symbolical contract’ between nobility and bourgeoisie, according to which the bourgeoisie’s acceptance of the nobility’s supreme status is premised on the latter’s acceptance of bourgeois values. In the aftermath of Diana’s death, the development, institution of monarchy in Britain came increasingly under scrutiny, and was openly criticized as outdated. Today, this crisis seems to have been entirely overcome. Again, the reinvigoration of the fairy tale projection can be considered to be of symbolical significance to the revitalization of monarchism: although the initial blend failed, the corrected cross-space mapping which substitutes Charles for his son in the role of Prince Charming seems to desire, provide a suitable match including the desired happy ending in the shape of a fairy tale wedding. As I have sought to show, genres are not only relevant in terms of classification, but as complexes of schemata they also present meaningful patterns that govern our interpretation of cultural artifacts, as well as of extra-textual worlds.

In this sense, for essay economics the sake of monarchism, William and Kate would do well to live up to the generic expectations of the fairy tale, in other words, happily ever after. [1]Brunetiere conceives of genres as possessing a life-span that can be divided into three stages: birth, maturity, death (13). He then applies this tripartite conception of generic development to literary history, allocating to major works a specific place in the life-cycle of the genre he considers them to represent. [2]David Fishelov, who calls for a revivification of certain aspects of the evolutionary paradigm ( Life , 616) presents a notable exception. [3] I depart from named criticism, a constructivist world-concept that defines worlds as structures which are conceived as having defined boundaries, their own specific rules and laws, and exclude certain individuals or entities. [4] Fauconnier and Turner use ‘generic’ here in a broad sense, not in relation to artistic genres. Acheraiou, Amar. Questioning Hybridity, Postcolonialism and Globalization. Development. Basingstoke: Palgrave Macmillan, 2011. Print. Bhabha, Homi K. The Location of noah dissertations language Culture.

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NY [a.o.]: Routledge, 1988. Print. “Hybrid.” The Oxford English Dictionary. Ed. J. Essay Development. A. and administrative assistant cover letter, E. S. C. Weiner Simpson. Oxford: Clarendon Press, 1989. 523. Print. Mirror Mirror. Dir. Tarsem Singh.

Relativity Media. 2012. Film. Nunning, Ansgar. “Mapping the Field of Hybrid New Genres in the Contemporary Novel: A Critique of Lars Ole Sauerberg, Fact into Fiction and a Survey of Other Recent Approaches to the Relationship beween 'Fact' and 'Fiction'.” Orbis Litterarum 48.3 (1993): 281–305. Economics. Print.

Ray, Robert B. A Certain Tendency of the Hollywood Cinema, 1930-1980. Princeton, NJ: Princeton UP, 1985. Print. Rumelhart, David E. Schemata: The Building Blocks of Cognition. La Jolla, Calif., 1978.

Print. Ryan, Marie-Laure. Possible worlds, artificial intelligence, and narrative theory. Bloomington [u.a.]: Indiana Univ. Press, 1992. Print.. Seibel, Klaudia. “Mixing Genres: Levels of Contamination and the Formation of Generic Hybrids.” Gattungstheorie und Gattungsgeschichte.

Eds. Hsc Crime Essay. Marion Gymnich, Birgit Neumann, Ansgar Nunning. Economics Development. Trier: WVT Wissenschaftlicher Verlag Trier, 2007. 137–52. Print. Sinding, Michael. “Genera Mixta: Conceptual Blending and Mixed Genres in medical cover letter, Ulysses.” New Literary History 36.4 (1995). Print.

Stockwell, Peter. Cognitive Poetics. London, NY: Routledge, 2002. Print. Taxi Driver . Dir. Martin Scorsese. Essay Economics. Columbia Pictures, 1976. Film. Turner, Mark. Rudestam And Newton 1992 Surviving Your Dissertation. The Literary Mind. NY, Oxford: OUP, 1996.

Print. Watt, Ian. “Robinson Crusoe as a Myth.” Essays in essay, Criticism 2.I (1951): 95–119. Print. Zipes, Jack. Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales. NY: Methuen, 1979.

Print. ---. Fairy Tales and the Art of rudestam surviving dissertation Subversion: The Classical Genre for Children and the Process of Civilization. NY: Routledge, 1991. Print. Allen, Martina. “Against ‘Hybridity’ in Genre Studies: Blending as an Alternative Approach to Generic Experimentation”. Trespassing Journal: an online journal of trespassing art, science, and philosophy 2 (Winter 2013). Web. ISSN: 2147-2134.

Martina Allen was born in 1981 in Frankfurt/Germany. Essay Economics Development. She studied English as well as Theatre, Film and Media Studies at the Goethe-University in Frankfurt and received her Master of Arts with Honours in both subjects in 2008. Hsc Crime Essay Questions. Since 2010, she has had several lectureships at the TU Darmstadt and currently holds a Dissertation Fellowship at the University of Konstanz/Germany. The subject of her dissertation thesis is the significance and discursive functions of essay economics genre in papers auditing, contemporary Anglophone literature.

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For creative designs with colored backgrounds, consider setting the cover letter page color to “none” and print on a high-quality colored paper. If the design requires borderless printing, a local print shop can help you if that feature is unavailable on your home printer. 855.213.0348 | MON-FRI 8A-8P, SAT 8A-5P, SUN 10A-6P CST. 2017 Bold Limited. Economics Development? All rights reserved.


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